Our 2025 Season is Now on Sale!

Oliver Boekhoorn, oboe
Bart de Kater, clarinet
Raaf Hekkema, alto saxophone
Jelte Althuis, bass clarinet
Alban Wesly, bassoon

A sound like no other! Calefax is a pioneering wind group from Amsterdam, famed throughout Europe.  These free-spirited virtuosos have not only invented their own ensemble but transcribe their own wide-ranging repertoire, commission new works, and always thrill their audiences.

A classical ensemble with a pop mentality, Calefax has a uniquely varied repertoire ranging from the year 1100 to the present day, and is open to the influences of world music, jazz and improvisation as a result of countless international tours and collaborations with all kinds of artists from various disciplines, including pianist Jean-Yves Thibaudet, violinist Liza Ferschtman as well as many other musicians, vocalists, choreographers and visual artists.

Calefax has released 19 CDs under the renowned German MDG label and its own RIOJA Records label. All the recordings have earned critical acclaim from the international press. The mezzo-soprano Cora Burggraaf can be heard on the CD entitled The Roaring Twenties,while the On the Spot CD features the trumpeter Eric Vloeimans, who transports Calefax into the world of jazz and improvisation. Their latest CD, entitled Romantic Kaleidoscope, was released in October 2015, packaged within the anniversary book Calefax en de Caleidoscoop, written by the radio presenter Lex Bohlmeijer and published by Cossee.

Calefax has won many major music prizes, including the 1997 Philip Morris Arts Prize, the 2001 Kersjes van de Groenekan Prize and the 2005 VSCD Classical Music Award. In 2012 Calefax received the German Junge Ohren Prize for the family musical show The Music Factory, a co-production with the Dutch theatre company Oorkaan.

The group has given concerts in virtually every country in Europe, as well as touring Russia, China, India, Turkey, Japan, South Africa, Brazil and the United States, performing at major venues such as Wigmore Hall, the Oriental Arts Centre (Shanghai) and Lincoln Center. In January 2013 Calefax had the honour of accompanying the former Dutch Queen Beatrix on her final two state visits, to Brunei and Singapore.

Since becoming the youngest person to ever win gold at the Van Cliburn International Piano Competition at
the age of 18 in 2022, Yunchan Lim’s ascent to international stardom has been meteoric. Marin Alsop
expressed: “Yunchan is that rare artist who brings profound musicality and prodigious technique organically
together”.

In the years following his Cliburn win, Yunchan made successful orchestral debuts with the New York, Los
Angeles, Munich, and Seoul Philharmonic orchestras, as well as Chicago, Lucerne, BBC, Boston, and Tokyo
Symphony orchestras among others. Recital appearances include performances at Carnegie Hall, Verbier
Festival, the Wigmore Hall, Het Concertgebouw, and Suntory Hall, among other major stages.
Lim’s 2024/25 season highlights include orchestral debuts with Washington National Symphony, London
Symphony, Royal Philharmonic, Vienna Radio Symphony, Berlin Radio Symphony, and WDR Symphony
Orchestras, as well as returning to New York Philharmonic, Lucerne Symphony Orchestra, and Orchestra de
Paris. This season will also see his recital debut at the Kennedy Center, and a return to Carnegie Hall.
As an exclusive Decca Classics recording artist, Yunchan Lim’s acclaimed debut studio album, Chopin Études
Opp.10 & 25 has gone double platinum in South Korea and topped the classical charts around the world.
His previous releases include Liszt’s Transcendental Études (Steinway & Sons); Beethoven’s Piano Concerto
No. 5 “Emperor” (Universal Music Group); and his appearance on KBS’s 2020 Young Musicians of Korea
album.

Born in Siheung, Korea, Yunchan Lim began piano lessons at age 7. He was accepted into the Korea National
Institute for the Gifted in Arts at age 13, where he met his teacher and mentor, Minsoo Sohn. In 2019, aged
only 15, he became the youngest person to win Korea’s IsangYun International Competition. Yunchan
currently studies at the New England Conservatory of Music with his teacher Minsoo Sohn.

Yunchan Lim’s performance is sponsored by James Meehan.

“Paul Huang possesses a big, luscious tone, spot-on intonation and a technique that makes the most punishing string phrases feel as natural as breathing.” — The Washington Post

“Danbi Um’s playing is utterly dazzling…a marvelous show of superb technique” — The Strad

Paul Huang was a recipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists. Huang makes recent and forthcoming appearances with the Mariinsky Orchestra with Valery Gergiev, Detroit Symphony with Leonard Slatkin, Houston Symphony with Andrés Orozco-Estrada, Rotterdam Philharmonic with Lahav Shani, Seoul Philharmonic with Markus Stenz, and return to the National Symphony Orchestra of Taiwan as its artist-in-residence. A frequent guest artist at music festivals worldwide, he recently stepped in for Anne-Sophie Mutter at Bravo! Vail Music Festival playing Mozart’s Violin Concerto No. 4 with Chamber Orchestra Vienna-Berlin as well as recital debuts at the Lucerne Festival in Switzerland and Aspen Music Festival, both to critical acclaim. He is an artist member of the Chamber Music Society of Lincoln Center and plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.

https://www.paulhuangviolin.com/

A Menuhin International Violin Competition Silver Medalist, Danbi Um’s recent performance highlights include solo appearances with the Chamber Orchestra of Philadelphia (Kimmel Center), a national tour with the Chamber Music Society of Lincoln Center, and debut performances at premier national series including Wolf Trap, Cincinnati’s Linton Chamber Series, and Chicago’s Dame Myra Hess Concerts. An avid chamber musician, she is an artist member of the Chamber Music Society of Lincoln Center. Her festival appearances have included those at Marlboro, Ravinia, Yellow Barn, Moab, Seattle, Caramoor, Moritzburg, and North Shore. Her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She plays on a 1683 “ex-Petschek” Nicolò Amati violin, on loan from a private collection.

https://www.danbium.com/

This performance is sponsored by Gladys and Larry Marks.

The Grammy-nominated Canadian violinist Corey Cerovsek collaborates with such conductors as Zubin Mehta, Charles Dutoit, and Michael Tilson Thomas, performing with such orchestras as Boston, Philadelphia, San Francisco and Detroit.  His recordings have won several awards, and his rich, chocolately tone has filled Kennedy Center, Lincoln Center, Wigmore Hall and the Théâtre du Châtelet, and he has appeared on NBC’s Tonight Show, CBS’ Sunday Morning, and PBS’ Musical Encounters.  Cerovsek earned a bachelor’s degree in music and mathematics at age 15; master’s degrees in both soon followed, and he completed his doctoral coursework in music and mathematics at age 18.

https://www.cerovsek.com/

24 year-old French Lucienne Renaudin Vary is a true shooting star of the music world, winning the Opus Klassik award in the Young Artist category in 2021.  She performs with such orchestras as the Tonhalle Zurich, Royal Philharmonic Orchestra, Brussels Philharmonic, Les Violons du Roy, BBC Concert Orchestra, Warsaw Philharmonic, Prague Philharmonia and Kammerorchester Basel under such conductors as Paavo Järvi and Vladimir Ashkenazy, and in such festivals as the Festival de Pâques (in Aix), Schleswig-Holstein, Musikfest Bremen, Istanbul Music Festival and the Gstaad Menuhin Festival. Vary is equally sought after as a jazz artist and has opened for Wynton Marsalis at Jazz in Marciac in 2018 and 2022.

https://www.warnerclassics.com/artist/lucienne-renaudin-vary

Félicien Brut has swiftly become his generation’s ambassador of the accordion, bringing the instrument to new prominence and helping to create new repertoire dedicated to him in chamber settings and with orchestra.  At age 20 he won the three biggest international accordion competitions: Klingenthal in Germany, Castelfidardo in Italy and the World Accordion Trophy in Samara, Russia. These awards propelled him to the spotlight, which he has never relinquished. His innovative recordings with string quartet have won raves from audiences and critics alike. Brut’s tango collaborations with other top artists are wildly popular, and he presents a weekly radio program on France Musique: “Brut d’accordéon”

https://www.felicienbrut.com/en/963-2/

Hailed by the Los Angeles Times for his “impressive clarity, sense of structure and monster technique,” Belgian pianist Steven Vanhauwaert is a frequent guest at concert halls across the United States, Canada, South America, Europe and Asia. Highlights include appearances at the Walt Disney Concert Hall, the Concertgebouw, the National Center for the Performing Arts in Beijing, and the Shanghai Oriental Arts Center. He collaborates with orchestras throughout the world, and is a frequent guest at festivals such as the Steamboat Springs Festival, the Montana Chamber Music Festival, the Arizona Friends of Chamber Music, the High Desert Chamber Music Festival, and the Ottawa Chamberfest.

https://www.stevenvanhauwaert.com/

This concert was conceived and produced by Daniel Levenstein and is sponsored by Ken Hitz on behalf The Hitz Foundation

The Ulysses Quartet has been praised for their “textural versatility,” “grave beauty” and “the kind of chemistry many quartets long for, but rarely achieve” (The Strad), as well as their “avid enthusiasm … [with] chops to back up their passion” (San Diego Story), “delivered with a blend of exuberance and polished artistry” (The Buffalo News). The quartet “promise to bring as much sophistication, imagination and vitality to Beethoven’s other quartets as they will to music by a panoply of composers from long ago and today” (Gramophone).

Founded in the summer of 2015, the group won the grand prize and gold medal in the senior string division of the 2016 Fischoff National Chamber Music Competition and first prize in the 2018 Schoenfeld International String Competition. In 2017, the quartet finished first in the American Prize and won second prize at the Osaka International Chamber Music Competition. They were winners of the Vietnam International Music Competition in 2019. Ulysses garnered a career development grant in the 2016 Banff International String Quartet Competition.

The quartet’s members hail from Canada, the United States and Taiwan. They have performed in such prestigious halls as Carnegie Hall, the Harbin Grand Theatre, Jordan Hall, and the Taiwan National Recital Hall. Performance highlights have included their debut at Alice Tully Hall along with appearances at the Chautauqua Institution (NY), Sociedad Filarmónica de Bilbao (Spain), Ciclo de Cámara y Solistas in Salamanca, the Picasso Museum in Málaga, Teatro Mayor Julio Mario Santo Domingo in Bogotá, Highlands Cashiers Festival (NC), Music Mountain (CT) with pianist Tanya Bannister, Chelsea Music Festival and PS21 (NY), National Gallery of Art (DC), Jasper Arts Center (IN), and San Juan Chamber Music Festival (CO). Their past season featured their Mexico City debut at UNAM, along with performances for Sociedad Filarmónica de Lima, Gretna Music, Yale School of Music with guitarist Ben Verdery, Kansas City Friends of Chamber Music, Fundación Juan March (Madrid), Sociedad Filarmonica de Vigo, Basel Kammermusik, and Chamber Music Society of Utica (NY). Other notable engagements have included the Buffalo Chamber Music Society, Chamber Music Society of Lincoln Center, Premiere Performances Hong Kong, National Arts Centre (Ottawa), and Cemal Reşit Rey Concert Hall (Istanbul).

In the fall of 2023, the Ulysses Quartet became GBH Music’s first-ever quartet in residence, a season-long partnership made possible by a generous contribution from the Mattina R. Proctor Foundation. Visiting residencies in recent seasons have included Louisiana State University, Ithaca College, Syracuse University, and Bucknell University. At Juilliard from 2019 to 2022, they were the Lisa Arnhold Fellows, serving as the school’s Graduate Resident String Quartet for 3 years. From 2016 to 2019, Ulysses was in residence at the Louis Moreau Institute in New Orleans, working with composer Morris Rosenzweig.

Ulysses recently released their debut album, “Shades of Romani Folklore,” on the Navona label. The quartet also has two new collaborative albums out: “Sea Change Quartets” by Grammy-nominated composer Joseph Summer, and “A Giant Beside You” with guitarist Benjamin Verdery. They also appear on Clovis Nicolas’s album “The Contrapuntist.”

The Ulysses Quartet believes intensely in the power of music to inspire, enlighten and bring people together. This is the guiding principle of the Ulysses Quartet Foundation, dedicated to the performance and promotion of classical music of the past and present day to benefit the broadest possible audience of music lovers and potential music lovers by expanding their understanding and appreciation of the musical arts. Ulysses aims to use this platform to raise the voices of underrepresented BIPOC and female composers. The quartet also offers interactive programs and workshops for all ages that serve to demystify the traditional repertoire while introducing audiences to diverse programming. Their programs enable participants to learn about the inner workings of a string quartet and to explore the connections between classical music and our world today. The group’s name pays homage to Homer’s hero Odysseus and his arduous homeward voyage, signifying the constant pursuit of artistic and personal ideals.

The members of Ulysses hold degrees from the Manhattan School of Music, New England Conservatory, Boston Conservatory, the Juilliard School, and University of North Texas. The musicians perform on instruments and bows graciously on loan from the Maestro Foundation and private donors. Ulysses is grateful for the support of Shar Music and Connolly Music as YSOA ambassadors.

“The Leonkoro Quartet possesses an extraordinary stage presence, embracing both full artistic risk and profound sensitivity”

– Frankfurter Allgemeine Zeitung

The Leonkoro Quartet, founded in Berlin in 2019, is framed by brothers Jonathan and Lukas Schwarz on first violin and cello, while the middle voices are formed by Amelie Wallner on second violin and Mayu Konoe on viola. In Esperanto, Leonkoro means Lionheart, alluding to a children’s book about two brothers, a book that juxtaposes the grave reality of death with a large and heartfelt yearning for comfort and solace – a sentiment that string quartet repertoire addresses in several instances.

The quartet’s international recognition began in 2021 when, as the youngest ensemble, they claimed the top prize and the coveted Audience Prize at the renowned Borciani String Quartet Competition. Then, in the annus mirabilis of 2022, the Leonkoro Quartet garnered an astounding series of prestigious accolades: first, the highly prestigious Jürgen Ponto Foundation Music Prize, followed by a triumph at the Wigmore Hall String Quartet Competition where they earned both first prize and NINE special awards. Then the quartet seized not only first  prize at the Concours International de Quatuor à Bordeaux but also the Audience Prize. Shortly thereafter, they were invited to join the BBC Radio 3 New Generation Artists program.  2022 was capped by one final honor: the MERITO String Quartet Award.

The Leonkoro has deepened their interpretations by study with members of the Artemis and Alban Berg quartets, as well as pianist Alfred Brendel.

In Autumn 2023, the quartet will release its highly anticipated debut album, featuring Ravel’s String Quartet and Schumann’s 3rd quartet, on the Mirare label.

In the 2023/2024 season, the Leonkoro Quartet is making debuts at the Berlin Philharmonie, the Kölner Philharmonie, the Flagey Brussels, the Concertgebouw Amsterdam and the Konzerthaus Wien, to name a few, and will perform at such renowned festivals as the Rheingau Music Festival, the String Quartet Biennale Paris, and the Heidelberg Fruehling. Furthermore, the quartet continues its residency in Leeds.

Winner of Silver Medals at both the Tchaikovsky Competition and the Van Cliburn Competition, Yeol Eum Son‘s is in great demand both with orchestras and on the recital stage.

She collaborates with such conductors as Gergiev, Bashmet, Chung, Conlon, Maazel and Morlot, with such orchestras as the NY Philharmonic, the Mariinsky Theatre Orchestra, Rotterdam Philharmonic, Czech Philharmonic, Seattle Symphony, Israel Philharmonic, Tokyo Philharmonic, NHK Symphony and Academy of St. Martin in the Fields.

Recent solo recitals include the Phillips Collection in Washington DC, the Mariinsky Concert Hall, Bad-Kissingen Summer Music Festival, Besancon Festival, Rotterdam Gergiev Festival and Helsingborg Piano Festival.  Recent concerto appearances included the Konzerthausorchester Berlin, Bergen Philharmonic and Dresden Philharmonic; her Paris debut with Orchestre Philharmonique de Radio France; Polish National Radio Symphony Orchestra and the closing concert of the Mariinsky Festival in Vladivostok under Valery Gergiev.

During the 22/23 season Yeol Eum performed with the Residentie Orkest in the Hague, the BBC National Orchestra of Wales and Finnish Radio Symphony Orchestra, the NDR Radiophilharmonie, the Detroit Symphony, the Scottish Chamber Orchestra, the Saint Paul Chamber Orchestra, the Sydney Symphony, Melbourne Symphony, Tasmanian Symphony  and Auckland Philharmonia.

The international reach of her work of the past seasons is reflected in collaborations with, among others, the Konzerthaus Orchestra Berlin, the Gürzenich, Dresden Philharmonic and Tonkünstler Orchestras, Orchestre Philharmonique de Radio France and the Orchestre national d’Île-de-France, Orchestre Philharmonique Royal de Liège, the City of Birmingham Symphony Orchestra, Aurora Orchestra, the BBC Philharmonic, Royal Liverpool Philharmonic Orchestra, the Budapest Festival, Helsinki, and Bergen Philharmonic, Basel Symphony, Castilla y León Symphony and Spanish Radio and Television Symphony orchestras, Singapore Symphony, San Diego and Detroit Symphony and the Mariinsky Orchestra.

Yeol Eum Son’s performance is sponsored by James Meehan.

Yefim Bronfman’s commanding technique, power and exceptional lyrical gifts are celebrated by critics and audiences alike in all the world’s musical capitals.

Following summer festival appearances in Verbier, Israel, Aspen, Grand Tetons and Sun Valley the 2023-24 season began with a European tour celebrating the 500th anniversary of the Munich Opera and Orchestra with concerts in Lucerne, Bucharest, London, Paris, Linz, Vienna and Munich. A tour with Amsterdam’s Royal Concertgebouw Orchestra takes him to Japan and Korea, followed by return engagements with the N.Y. Philharmonic, Boston, Kansas City, National, Milwaukee, Pittsburgh and San Francisco symphonies. With the Munich Philharmonic he will travel to Spain and Carnegie Hall. An extensive winter/spring recital tour will begin in Ljubljana and include Milan, Berlin, Cleveland, Chicago, Vancouver, Seattle, San Francisco, Los Angeles, La Jolla and culminate in Carnegie Hall in early May.

Mr. Bronfman works regularly with such illustrious conductors as Daniel Barenboim, Herbert Blomstedt, Semyon Bychkov, Riccardo Chailly, Christoph von Dohnányi, Gustavo Dudamel, Charles Dutoit, Daniele Gatti, Valery Gergiev, Alan Gilbert, Vladimir Jurowski, Zubin Mehta, Riccardo Muti, Andris Nelsons, Yannick Nézet-Séguin, Sir Simon Rattle, Esa-Pekka Salonen, Jaap Van Zweden, Franz Welser-Möst, and David Zinman. His chamber music partners have included Pinchas Zukerman, Martha Argerich, Anne-Sophie Mutter, Emmanuel Pahud and many others. In 1991 he gave a series of joint recitals with Isaac Stern in Russia, marking Mr. Bronfman’s first public performances there since his emigration to Israel at age 15.

Born in Tashkent in the Soviet Union, Bronfman immigrated to Israel with his family in 1973, where he studied at Tel Aviv University with Arie Vardi. He subsequently studied at Juilliard, Marlboro and Curtis, under Rudolf Firkusny, Leon Fleisher, and Rudolf Serkin. Honors include the Avery Fisher Prize and an honorary doctorate from the Manhattan School of Music.

Sarah Cahill’s “Backstage Pass” w. Yefim Bronfman in San Francisco
in partnership with Amateur Music Network
Have you ever wondered how artists prepare and create their performances? In this series we break down the barriers of genre and style with performing artists, revealing the secret processes behind their music. This conversation will take place at the conclusion of Mr. Bronfman’s recital at Herbst Theater and is available free to all ticket-holders. To attend the conversation, you must have a ticket to the concert.

“Soumm has lush tone, technical aplomb and abundant personality” – Baltimore Sun

French/Russian violinist Alexandra Soumm has performed with such leading orchestras as the Royal, BBC, London, and Hungarian National Philharmonics, as well as the Baltimore, Galicia, RTÉ National, Danish National, Vancouver, Trondheim, NHK, Tokyo Metropolitan, BBC Scottish, Tokyo and Munich Symphonies, with such conductors as Herbert Blomstedt, Neeme Järvi, Osmo Vänska, Leonard Slatkin and Marin Alsop.

She performs regularly with Orchestre National de Bordeaux, Orchestre National du Capitole de Toulouse, Orchestre de Paris, Orchestre National de Lyon, and Orchestre National de Montpellier, and has performed with the L.A. Philharmonic at the Hollywood Bowl. She has given recitals at the Louvre, Bozar, and Wigmore Hall. She has also appeared at Verbier and many other festivals.

Born in Moscow, Ms Soumm studied in Vienna with renowned pedagogue Boris Kuschnir, and won the Eurovision Competition in 2004.  Now based in Paris, she co-founded the non-profit organization Esperanz’Arts in 2012, a collaborative of more than 60 artists performing in schools, homeless shelters, prisons and hospitals. In 2013, she was named Godmother of the newly established El Sistema France.

https://www.alexandrasoumm.com/

Pianist Amandine Savary has performed in Amsterdam (Concertgebouw), Tokyo (Suntory Hall), New York (Kaufmann Hall), London (Southbank Centre, Wigmore Hall, King’s Place), Paris (Maison de Radio France, the Louvre, Orsay), Dijon, Montpellier, Osaka, Monaco, Brussels (Flagey, Bozar, Palais Royal) etc.

She performs with such orchestras as London Mozart Players, London Pro Orchestra, Orchestre de Bretagne, Orchestre National de Lille, Orchestre Royal de Chambre de Wallonie, Philharmonia Orchestra, Sinfonia Varsovia, Latvian National Symphonic Orchestra and Orchestre Philharmonique du Luxembourg.

Passionate about chamber music, her partners have included Latvian violinist Vineta Sareika (in the prizewinning Trio Dali), British violinist Jack Liebeck, Alfred Brendel, Augustin Dumay, Lawrence Power and  Paul Neubauer.

Her recordings, including Ravel Chamber music works and Schubert Piano Trios (for Fuga Libera) French melodies for cello & piano (for Sony) and Bach Toccatas (for Muso) have received many awards, including the prestigious Diapason d’Or and Gramophone Magazine’s “Editor’s Choice”.

https://www.amandinesavary.com/

“The Beijing Duo’s performance was a model of elegant clarity, sumptuously beautiful tone production, and emotional contrast.​”

– San Francisco Classical Voice

Praised by Classical Guitar Magazine as “having the potential to serve as inspiration for new generations of guitarists to come,” the Beijing Guitar Duo launched their international concert career with a New York debut in Carnegie Hall in 2010.  Beyond their virtuosic techniques, both artists’ approach is one that embodies pure chamber music at its finest: collaboration, organic in-the-moment response, and relinquishing the soloist’s spotlight in service to the ensemble.

The Duo has performed around the world in halls such as the Concertgebouw, Palau de Musica, Tchaikovsky  Hall and the National Theatre in Beijing. They regularly tour the United States — Washington D.C., Cincinnati, Cleveland, Chicago, Detroit, Milwaukee, Knoxville, etc. – as well as Europe and China. They collaborate with orchestras, in ensemble with flutist Marina Piccinini, guitarists Grigoryan Brothers and with their mentor Manuel Barrueco.

Their debut CD Maracaípe received a Latin-GRAMMY nomination for the titled piece, which was dedicated to them by renowned guitarist Sergio Assad. Their second CD, Bach to Tan Dun, has been widely noted for the world-premiere recording of Tan Dun’s Eight Memories in Watercolor, specially arranged for the duo by Manuel Barrueco. A trio recording in trio with Barrueco, China West, was released in 2014.

Meng Su and Yameng Wang were born in the coastal city of Qingdao, China. They came to the partnership with exceptional credentials, including a string of competition awards. Ms. Su’s honors include victories at the Vienna Youth Guitar Competition and the Christopher Parkening Guitarist Competition, while Ms. Wang was the youngest guitarist to win the Tokyo International Guitar Competition at the age of 12, and was invited by Radio France to perform at the prestigious Paris International Guitar Art Week at age 14. Both young artists had given solo recitals in China and abroad, and had made recordings before they formed the duo.

In addition to concertizing, the artists share a love for teaching which brings them to the world’s major conservatories for master classes and to judge competitions.